Since 1895, the so called “Giardini” in the district of Castello host one of the most important events for art lovers, the famous “Venice Biennale“: the exhibition palace, designed by Enrico Trevisanato and whose façade has been realized by the painter Marius de Maria, has been elected the first house of the Biennale of Art, inaugurated April the 30^th 1895 and able to welcome 224.000 during its first activity year.

In the next years and till the first world war (Biennale stopped between 1915 and 1918), the development of Venice Biennale started with the acquisition of the management of Ca Pesaro (in 1902), thanks to the donation of the duke Bevilacqua La Masa. In 1910 it was already to look internationally, as there was an entire hall dedicated to Gustav Klimt, another one to Renoir and a third able to make an introspective analysis on Courbet’s operas; unfortunately, no works of Pablo Picasso were exposed at the Biennale, despite the original program was supposed to insert at least one: the organization had fear public could have considered it as a scandal, being extraordinary innovative, so people had to be waiting till 1948 to see the Catalan artist at the Venice Biennale. In 1914, before the stop, there were 7 active pavilions already.

In the period between the two world wars, the exhibition started to offer more space to the vanguards, as impressionism, post-impressionism, Die Bruecke, and the role of head of Venice Biennale went from the major to Giovanni Bordiga, named as the first president of the Biennale, helped by the secretary Vittorio Pica (and for 8 years only by a board of direction as well). By the end of the 20s, the Archivio Storico di Arte Contemporanea was born, and the Biennale passed to the management of the central Italian government: under the guide of earl Giuseppe Volpi di Misurata, three new events were created: Biennale Musica (music), Biennale Teatro (theatre) and, moreover, Biennale Cinema (Mostra Internazionale del Cinema di Venezia), the first movies festival ever, originally host by the terrace of the Hotel Excelsior (Lido di Venezia) till 1937, when the Cinema Palace became the new venue after its construction.

The emergency due to the COVID-19 pandemic highlighted, once more, the negative attitude of travel website, literally know as OTA (online travel agents). Despite the Italian law created a specific article, thanks to all the people not able or unwilling to come in the next months are eligible to get a voucher instead of a refund, most of the OTAs, BOOKINGCOM in primis, substituted the rule with its own directives, which are by far against the Italian law and a huge problem for hotels: Bookingcom forces all hotels to refund guests (with hotel’s money) instead of preparing travel vouchers. Now, if guests could consider this a very fair act of Booking, you must remember hotels are currently closed, with no cash flows anymore and plenty of expenditures still, without  a certain re-opening day.

Therefore, Albergo Marin, as other venetian (not only) hotels did, has taken the decision to stop working with travel sites by now, waiting for something to change. To book our hotel you can use our official website only, call or mail us. We are waiting for you, we need you now more than even!